WOODSONAERIAL Watch Reel Contact Us
Services film tv

Aerials that match your A-cam.

Flown for Netflix, Hulu, HBO Max, Prime Video, Good Morning America, and The New York Times Magazine. 8K CinemaDNG RAW off the Inspire 3, or your own FX6/Komodo build in the air on the heavy-lifter — graded footage that cuts into the timeline without apology.

FPV chase frame over the race circuit — aerial still from the Woodson reel

The production package

  • Inspire 3 — full-frame 8K CinemaDNG RAW / ProRes RAW for the color pipeline
  • Akira heavy-lift — puts your Sony FX6 or RED Komodo (with your glass) in the air, matching the ground package exactly
  • FPV unit — one-take interiors and 100 mph chase work
  • Second-unit ready: Inspire 2 as B-cam, redundant batteries and props for full production days

What your UPM needs to hear

  • Part 107 with controlled-airspace authorizations and City of Austin film-permit experience
  • $5,000,000 aviation liability — COI same day, additional insured as required
  • Closed-set experience and live-broadcast experience (GMA)
  • Two NYT Magazine collaborations with Dan Winters — comfortable taking direction from a DP
Downtown Austin skyline at dusk from altitude
STREAMING DOC / 8K RAW PLATES
New-build Austin streets from overhead at dusk — aerial photographed for The New York Times Magazine
NYT MAG COLLAB / STILLS + 5.2K
Credits one-sheets

Productions we've flown on.

Aerial unit work that made the cut — features, limited series, and streaming originals for Netflix, HBO Max, FX, Prime Video, and theatrical release. Also on screen: Miranda Lambert’s “Wranglers” official video and Red Bull Motorsports’ F1 vs. NASCAR challenge.

Argylle poster
Argylle · Feature
Love and Death poster
Love & Death · HBO Max
Pistol poster
Pistol · FX / Hulu
English Teacher poster
English Teacher · FX
Queer Eye poster
Queer Eye · Netflix
Panic poster
Panic · Prime Video
Look Both Ways poster
Look Both Ways · Netflix
Hypnotic poster
Hypnotic · Feature
Malignant poster
Malignant · Indie feature
And scene

Scouting aerials for a production?